<아바타 AVATAR> 아츠시 카네오야 개인전 Atsushi Kaneoya solo exhibition in Seoul

콜론비아츠
2022-11-02

아츠시 카네오야 atsushi_kaneoya 

2020년에 이어 서울에서의 두 번째 개인전이 열립니다.


아바타 AVATAR

Atsushi kaneoya solo exhibition in Seoul


221029-1126

화-목 TUE-THU 1:00-7:00 pm

Reservation only

금토 FRI, SAT 1:00-7:00pm Open

일월 SUN, MON 휴무 Off


Atsushi Kaneoya

1989 Born in Ichihara,Chiba,JAPAN

2015 Admission to YOKOHAMA College of Art & Design 


Awards:

2018

YOKOHAMA College of Art & Design President Awards


2017

Award of Akane Nakamura/SICF18


2015

Award of excellence/Graduation exhibition of Yokohama College of Art & Design


Solo Exhibitions :

2020

『My neighbor , Avatar』:bArts Gallery / SEOUL


2017

『TRIBE』Gallery U / TOKYO


2015

『AMISHIRUSU』MAKII MASARU FINE ARTS / TOKYO


Group Exhibitions:

2022

『creature』FEI ART MUSEUM YOKOHAMA / KANAGAWA


2021

『Serendipity in Shibuya』Shibuya SACS / TOKYO

『source-material・technique・concept-』park hotel tokyo 34F Corridor Gallery 34 / TOKYO


2019

『imagining - The Research Associate Exhibitionimagining』 YOKOHAMA University of Art & Design / KANAGAWA

『WINTER SHOW』:bArts Gallery / SEOUL

『Exhibition of two artists : Atsushi Kaneoya・Hirono Tokumasu  「ande karande」』

『huite ande hiite』art space morgenrot / TOKYO

『Arts & Crafts for Dari』 Morohashi Museum of Modern Art / Fukushima

『3/4㎡』 SHIBUYA TSUTAYA 7F / TOKYO


2018

『imagining』Meguro Museum of Art / TOKYO

『imagining - The Research Associate Exhibitionimagining』 YOKOHAMA University of Art & Design / KANAGAWA

『SICF18 Winners Exhibition』 SPIRAL / TOKYO


2017

『RANDY ART Hills vol.40 C-DEPOT selection』RANDY/TOKYO

『Hotel Art Festival in PARK HOTEL TOKYO』PARK HOTEL TOKYO/TOKYO

『SICF18』 SPIRAL / TOKYO


2016

『RANDY ART HILLS vol.36 BIRD』 RANDY / TOKYO

『Colorful KA・RA・HU・RU』SEIBU department in Funabashi / CHIBA

『SUMMER SONICART 2016』Makuhari Messe・QVC Marine Field / CHIBA

『Hotel Arts Festival in PARK HOTEL TOKYO』PARK HOTEL TOKYO / TOKYO

『IKEBUKURO ART  GATHERING kokeshi art collection』WACCA IKEBUKURO / TOKYO

『Spring of Life Exhibition』PARK HOTEL TOKYO / TOKYO


2015

『SHIBUYA STYLE vol.9』SEIBU department in Shibuya / TOKYO

『IKEBUKURO ART  GATHERING C-DEPOT landmark』TOBU department in Ikebukuro / TOKYO

『Graduation Volunteer Exhibitionof YOKOHAMA College of Art & Design「-CHITEN」』THE BASEMENT / Tokyo

『Graduation Selection Exhibition of YOKOHAMA College of Art & Design 』YOKOHAMA RED BRICK WAREHOUSE No.1 2F / Kanagawa

『Graduation Exhibition of YOKOHAMA College of Art & Design 』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa


2014

『SCHOOL OF CRAFT EXHIBITION』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa

『Form is Singing.』Site-A gallery / Kanagawa


2013

『SCHOOL OF CRAFT EXHIBITION』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa

『ASAKUSA COLLECTION 1st』Sumida Park River Side Gallery / Tokyo

『TOKYO DESIGNERS WEEK 2013』Meiji Jingu Gaien / Tokyo

『WE Festa「Leverage MOTTAINAI!」5th』Kanagawa Prefectural Center / Kanagawa


 2012

『HOT WINTER』Medical home KURARA Aobadai/Kanagawa

『Wall Exhibition』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa


 Art Fair:

2021

『CRAFT TREND FAIR』COEX C HALL / SEOUL


2019

『ART FAIR ASIA FUKUOKA』Hotel Okura Fukuoka / FUKUOKA

『3331 ART FAIR 2019』 3331 Arts Chiyoda / TOKYO


I was fascinated by the Abelam ethnic masks I saw at an exhibition.

This led me to research ethnic masks in Africa and Papua New Guinea, and I came to know the idea of animism. Since then, I have been creating works with animism as my main theme.

I use crochet as my technique. 

The techniques of plastic arts and sculpture are created in such a way that there is first a rough mass and then the resolution of that mass is increased. 

On the other hand, the three-dimensional modeling by knitting is a  method in which the shape gradually expands from the edges.

The form does not exist until the yarn is knitted. I work with the image of giving form to an invisible existence and making it manifest.


나는 전시회에서 봤던 아벨람 민족(파푸아뉴기니의 부족)의 가면에 매료되었다.

이것이 아프리카와 파푸아뉴기니의 민족 가면을 연구하게 된 계기가 되었고, 애니미즘에 대해 알게 되었다.

그때부터 애니미즘을 주요 주제로 작품을 만들어 왔다.


나는 크로셰, 코바늘 뜨기 테크닉으로 작업한다. 조형 예술과 조각의 기술은 

처음에는 거친 덩어리가 있고 그 다음에는 그 덩어리의 형상이 드러나는 방식으로 만들어진다.

한편, 뜨개질에 의한 3차원 모델링은 가장자리에서부터 형상이 점차 펼쳐지는 방식이다. 그 형태는 뜨개질을 하기 전에는 존재하지 않는 것이다.

이렇듯 나는 우리 곁에 존재하지만 보이지 않는 존재(아바타)에 형태를 부여하고, 그것의 이미지를 뚜렷하게 드러낸다.

 - 아츠시 카네오야 작가노트