아츠시 카네오야 atsushi_kaneoya
2020년에 이어 서울에서의 두 번째 개인전이 열립니다.
아바타 AVATAR
Atsushi kaneoya solo exhibition in Seoul
221029-1126
화-목 TUE-THU 1:00-7:00 pm
Reservation only
금토 FRI, SAT 1:00-7:00pm Open
일월 SUN, MON 휴무 Off
Atsushi Kaneoya
1989 Born in Ichihara,Chiba,JAPAN
2015 Admission to YOKOHAMA College of Art & Design
Awards：
2018
YOKOHAMA College of Art & Design President Awards
2017
Award of Akane Nakamura/SICF18
2015
Award of excellence/Graduation exhibition of Yokohama College of Art & Design
Solo Exhibitions :
2020
『My neighbor , Avatar』:bArts Gallery / SEOUL
2017
『TRIBE』Gallery U / TOKYO
2015
『AMISHIRUSU』MAKII MASARU FINE ARTS / TOKYO
Group Exhibitions：
2022
『creature』FEI ART MUSEUM YOKOHAMA / KANAGAWA
2021
『Serendipity in Shibuya』Shibuya SACS / TOKYO
『source-material・technique・concept-』park hotel tokyo 34F Corridor Gallery 34 / TOKYO
2019
『imagining - The Research Associate Exhibitionimagining』 YOKOHAMA University of Art & Design / KANAGAWA
『WINTER SHOW』:bArts Gallery / SEOUL
『Exhibition of two artists : Atsushi Kaneoya・Hirono Tokumasu ｢ande karande｣』
『huite ande hiite』art space morgenrot / TOKYO
『Arts & Crafts for Dari』 Morohashi Museum of Modern Art / Fukushima
『3/4㎡』 SHIBUYA TSUTAYA 7F / TOKYO
2018
『imagining』Meguro Museum of Art / TOKYO
『imagining - The Research Associate Exhibitionimagining』 YOKOHAMA University of Art & Design / KANAGAWA
『SICF18 Winners Exhibition』 SPIRAL / TOKYO
2017
『RANDY ART Hills vol.40 C-DEPOT selection』RANDY/TOKYO
『Hotel Art Festival in PARK HOTEL TOKYO』PARK HOTEL TOKYO/TOKYO
『SICF18』 SPIRAL / TOKYO
2016
『RANDY ART HILLS vol.36 BIRD』 RANDY / TOKYO
『Colorful KA・RA・HU・RU』SEIBU department in Funabashi / CHIBA
『SUMMER SONICART 2016』Makuhari Messe・QVC Marine Field / CHIBA
『Hotel Arts Festival in PARK HOTEL TOKYO』PARK HOTEL TOKYO / TOKYO
『IKEBUKURO ART GATHERING kokeshi art collection』WACCA IKEBUKURO / TOKYO
『Spring of Life Exhibition』PARK HOTEL TOKYO / TOKYO
2015
『SHIBUYA STYLE vol.9』SEIBU department in Shibuya / TOKYO
『IKEBUKURO ART GATHERING C-DEPOT landmark』TOBU department in Ikebukuro / TOKYO
『Graduation Volunteer Exhibitionof YOKOHAMA College of Art & Design「-CHITEN」』THE BASEMENT / Tokyo
『Graduation Selection Exhibition of YOKOHAMA College of Art & Design 』YOKOHAMA RED BRICK WAREHOUSE No.1 2F / Kanagawa
『Graduation Exhibition of YOKOHAMA College of Art & Design 』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa
2014
『SCHOOL OF CRAFT EXHIBITION』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa
『Form is Singing.』Site-A gallery / Kanagawa
2013
『SCHOOL OF CRAFT EXHIBITION』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa
『ASAKUSA COLLECTION 1st』Sumida Park River Side Gallery / Tokyo
『TOKYO DESIGNERS WEEK 2013』Meiji Jingu Gaien / Tokyo
『WE Festa「Leverage MOTTAINAI!」5th』Kanagawa Prefectural Center / Kanagawa
2012
『HOT WINTER』Medical home KURARA Aobadai/Kanagawa
『Wall Exhibition』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa
Art Fair：
2021
『CRAFT TREND FAIR』COEX C HALL / SEOUL
2019
『ART FAIR ASIA FUKUOKA』Hotel Okura Fukuoka / FUKUOKA
『3331 ART FAIR 2019』 3331 Arts Chiyoda / TOKYO
I was fascinated by the Abelam ethnic masks I saw at an exhibition.
This led me to research ethnic masks in Africa and Papua New Guinea, and I came to know the idea of animism. Since then, I have been creating works with animism as my main theme.
I use crochet as my technique.
The techniques of plastic arts and sculpture are created in such a way that there is first a rough mass and then the resolution of that mass is increased.
On the other hand, the three-dimensional modeling by knitting is a method in which the shape gradually expands from the edges.
The form does not exist until the yarn is knitted. I work with the image of giving form to an invisible existence and making it manifest.
나는 전시회에서 봤던 아벨람 민족(파푸아뉴기니의 부족)의 가면에 매료되었다.
이것이 아프리카와 파푸아뉴기니의 민족 가면을 연구하게 된 계기가 되었고, 애니미즘에 대해 알게 되었다.
그때부터 애니미즘을 주요 주제로 작품을 만들어 왔다.
나는 크로셰, 코바늘 뜨기 테크닉으로 작업한다. 조형 예술과 조각의 기술은
처음에는 거친 덩어리가 있고 그 다음에는 그 덩어리의 형상이 드러나는 방식으로 만들어진다.
한편, 뜨개질에 의한 3차원 모델링은 가장자리에서부터 형상이 점차 펼쳐지는 방식이다. 그 형태는 뜨개질을 하기 전에는 존재하지 않는 것이다.
이렇듯 나는 우리 곁에 존재하지만 보이지 않는 존재(아바타)에 형태를 부여하고, 그것의 이미지를 뚜렷하게 드러낸다.
- 아츠시 카네오야 작가노트
아츠시 카네오야 atsushi_kaneoya
2020년에 이어 서울에서의 두 번째 개인전이 열립니다.
아바타 AVATAR
Atsushi kaneoya solo exhibition in Seoul
221029-1126
화-목 TUE-THU 1:00-7:00 pm
Reservation only
금토 FRI, SAT 1:00-7:00pm Open
일월 SUN, MON 휴무 Off
Atsushi Kaneoya
1989 Born in Ichihara,Chiba,JAPAN
2015 Admission to YOKOHAMA College of Art & Design
Awards：
2018
YOKOHAMA College of Art & Design President Awards
2017
Award of Akane Nakamura/SICF18
2015
Award of excellence/Graduation exhibition of Yokohama College of Art & Design
Solo Exhibitions :
2020
『My neighbor , Avatar』:bArts Gallery / SEOUL
2017
『TRIBE』Gallery U / TOKYO
2015
『AMISHIRUSU』MAKII MASARU FINE ARTS / TOKYO
Group Exhibitions：
2022
『creature』FEI ART MUSEUM YOKOHAMA / KANAGAWA
2021
『Serendipity in Shibuya』Shibuya SACS / TOKYO
『source-material・technique・concept-』park hotel tokyo 34F Corridor Gallery 34 / TOKYO
2019
『imagining - The Research Associate Exhibitionimagining』 YOKOHAMA University of Art & Design / KANAGAWA
『WINTER SHOW』:bArts Gallery / SEOUL
『Exhibition of two artists : Atsushi Kaneoya・Hirono Tokumasu ｢ande karande｣』
『huite ande hiite』art space morgenrot / TOKYO
『Arts & Crafts for Dari』 Morohashi Museum of Modern Art / Fukushima
『3/4㎡』 SHIBUYA TSUTAYA 7F / TOKYO
2018
『imagining』Meguro Museum of Art / TOKYO
『imagining - The Research Associate Exhibitionimagining』 YOKOHAMA University of Art & Design / KANAGAWA
『SICF18 Winners Exhibition』 SPIRAL / TOKYO
2017
『RANDY ART Hills vol.40 C-DEPOT selection』RANDY/TOKYO
『Hotel Art Festival in PARK HOTEL TOKYO』PARK HOTEL TOKYO/TOKYO
『SICF18』 SPIRAL / TOKYO
2016
『RANDY ART HILLS vol.36 BIRD』 RANDY / TOKYO
『Colorful KA・RA・HU・RU』SEIBU department in Funabashi / CHIBA
『SUMMER SONICART 2016』Makuhari Messe・QVC Marine Field / CHIBA
『Hotel Arts Festival in PARK HOTEL TOKYO』PARK HOTEL TOKYO / TOKYO
『IKEBUKURO ART GATHERING kokeshi art collection』WACCA IKEBUKURO / TOKYO
『Spring of Life Exhibition』PARK HOTEL TOKYO / TOKYO
2015
『SHIBUYA STYLE vol.9』SEIBU department in Shibuya / TOKYO
『IKEBUKURO ART GATHERING C-DEPOT landmark』TOBU department in Ikebukuro / TOKYO
『Graduation Volunteer Exhibitionof YOKOHAMA College of Art & Design「-CHITEN」』THE BASEMENT / Tokyo
『Graduation Selection Exhibition of YOKOHAMA College of Art & Design 』YOKOHAMA RED BRICK WAREHOUSE No.1 2F / Kanagawa
『Graduation Exhibition of YOKOHAMA College of Art & Design 』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa
2014
『SCHOOL OF CRAFT EXHIBITION』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa
『Form is Singing.』Site-A gallery / Kanagawa
2013
『SCHOOL OF CRAFT EXHIBITION』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa
『ASAKUSA COLLECTION 1st』Sumida Park River Side Gallery / Tokyo
『TOKYO DESIGNERS WEEK 2013』Meiji Jingu Gaien / Tokyo
『WE Festa「Leverage MOTTAINAI!」5th』Kanagawa Prefectural Center / Kanagawa
2012
『HOT WINTER』Medical home KURARA Aobadai/Kanagawa
『Wall Exhibition』YOKOHAMA College of Art & Design Gallery YCAD / Kanagawa
Art Fair：
2021
『CRAFT TREND FAIR』COEX C HALL / SEOUL
2019
『ART FAIR ASIA FUKUOKA』Hotel Okura Fukuoka / FUKUOKA
『3331 ART FAIR 2019』 3331 Arts Chiyoda / TOKYO
I was fascinated by the Abelam ethnic masks I saw at an exhibition.
This led me to research ethnic masks in Africa and Papua New Guinea, and I came to know the idea of animism. Since then, I have been creating works with animism as my main theme.
I use crochet as my technique.
The techniques of plastic arts and sculpture are created in such a way that there is first a rough mass and then the resolution of that mass is increased.
On the other hand, the three-dimensional modeling by knitting is a method in which the shape gradually expands from the edges.
The form does not exist until the yarn is knitted. I work with the image of giving form to an invisible existence and making it manifest.
나는 전시회에서 봤던 아벨람 민족(파푸아뉴기니의 부족)의 가면에 매료되었다.
이것이 아프리카와 파푸아뉴기니의 민족 가면을 연구하게 된 계기가 되었고, 애니미즘에 대해 알게 되었다.
그때부터 애니미즘을 주요 주제로 작품을 만들어 왔다.
나는 크로셰, 코바늘 뜨기 테크닉으로 작업한다. 조형 예술과 조각의 기술은
처음에는 거친 덩어리가 있고 그 다음에는 그 덩어리의 형상이 드러나는 방식으로 만들어진다.
한편, 뜨개질에 의한 3차원 모델링은 가장자리에서부터 형상이 점차 펼쳐지는 방식이다. 그 형태는 뜨개질을 하기 전에는 존재하지 않는 것이다.
이렇듯 나는 우리 곁에 존재하지만 보이지 않는 존재(아바타)에 형태를 부여하고, 그것의 이미지를 뚜렷하게 드러낸다.
- 아츠시 카네오야 작가노트